[ENG]
Title: Perception, Cognition and Aesthetics
Year: (2019)
Editora: Routledge
Eds: Steven S. Gouveia (Uni.Minho), Dena Shottenkirk (Brooklyn College - CUNY) and Manuel Curado (Uni. Minho)
Pages: 360.
Introduction - Dena Shottenkirk, Steven S. Gouveia and Manuel Curado
Section I: Perception
1. Disjunctivism and the Internal. A Problem for McDowell’s Epistemological Disjunctivism? - Davide Dalla Rosa and Federico Sanguinetti (University of Padova & Federal University of Rio Grande do Norte)
2. Xenophanes’ Figs and Honey: An Essay about a Program of Philosophy of Perception - Manuel Curado (Uni. Minho)
3. A Neurophilosophical Approach to Perception - Steven S. Gouveia and Georg Northoff (Uni. Minho & Uni. Ottawa)
4. Smelling Molecular Structure - Benjamin D. Young (Uni. Nevada)
5. "Hierarchical Bokeh" Theory of Attention - Anatoly Nichvoloda (Brooklyn College, CUNY)
6. Perceiving Live Improvisation in the Performing Arts - Aili Bresnahan (Uni. Dayton)
Section II: Cognition
7. Consciousness and Content in Perception - Bill Brewer (King’s College)
8. Perceptual Capacities - Susanna Schellenberg (Rutgers Uni.)
9. Thinking Differently About Thought - Nicholas Georgalis (East Carolina Uni.)
10. Immediate and reflective senses - Angela Mendelovici (Uni. Western Ontario)
11. The Unity of Unconsciousness - Tim Crane (Central European Uni.)
12. Phenomenal Experience and the Thesis of Revelation - Michelle Liu (Oxford Uni.)
Section III: Perception and Cognition in Aesthetics
13. Would You Buy Absence Art? - Anya Farennikova (Uni. Antwerp / CUNY)
14. Penetrating Beauty: Knowledge, Culture and Context in Aesthetic Perception - Jesse Prinz (City Uni. New York)
15. Gist Experience - Dena Shottenkirk (Brooklyn College - CUNY)
16. How Do I Know When I Am Dancing? - Romain Bigé (École Normale Supérieure)
17a. Interview of James Cohan - Dena Shottenkirk
17b. Interview of Leonel Moura - Steven S. Gouveia
Description: This volume addresses key questions related to how content in thought is derived from perceptual experience. It includes chapters that focus on single issues on perception and cognition, as well as others that relate these issues to an important social construct that involves both perceptual experience and cognitive activities: aesthetics. While the volume includes many diverse views, several prominent themes unite the individual essays: a challenge to the notion of the discreet, and non-temporal, unit of perception, a challenge to the traditional divide between perception and cognition, and a challenge to the traditional divide between unconscious and conscious intentionality. Additionally, the chapters discuss the content of perceptual experience, the value of traditional notions of content, disjunctivism, adverbialism, and phenomenal experience. The final section of essays dealing with perception and cognition in aesthetics features work in experimental aesthetics and unique perspectives from artists and gallerists working outside of philosophy. Perception, Cognition and Aesthetics is a timely volume that offers a range of unique perspectives on debates in philosophy of mind surrounding perception and cognition. It will also appeal to scholars working in aesthetics and art theory who are interested in the ways these debates influence our understanding of art.
Buy: (use 30% discount: CDC21)
Title: Perception, Cognition and Aesthetics
Year: (2019)
Editora: Routledge
Eds: Steven S. Gouveia (Uni.Minho), Dena Shottenkirk (Brooklyn College - CUNY) and Manuel Curado (Uni. Minho)
Pages: 360.
Introduction - Dena Shottenkirk, Steven S. Gouveia and Manuel Curado
Section I: Perception
1. Disjunctivism and the Internal. A Problem for McDowell’s Epistemological Disjunctivism? - Davide Dalla Rosa and Federico Sanguinetti (University of Padova & Federal University of Rio Grande do Norte)
2. Xenophanes’ Figs and Honey: An Essay about a Program of Philosophy of Perception - Manuel Curado (Uni. Minho)
3. A Neurophilosophical Approach to Perception - Steven S. Gouveia and Georg Northoff (Uni. Minho & Uni. Ottawa)
4. Smelling Molecular Structure - Benjamin D. Young (Uni. Nevada)
5. "Hierarchical Bokeh" Theory of Attention - Anatoly Nichvoloda (Brooklyn College, CUNY)
6. Perceiving Live Improvisation in the Performing Arts - Aili Bresnahan (Uni. Dayton)
Section II: Cognition
7. Consciousness and Content in Perception - Bill Brewer (King’s College)
8. Perceptual Capacities - Susanna Schellenberg (Rutgers Uni.)
9. Thinking Differently About Thought - Nicholas Georgalis (East Carolina Uni.)
10. Immediate and reflective senses - Angela Mendelovici (Uni. Western Ontario)
11. The Unity of Unconsciousness - Tim Crane (Central European Uni.)
12. Phenomenal Experience and the Thesis of Revelation - Michelle Liu (Oxford Uni.)
Section III: Perception and Cognition in Aesthetics
13. Would You Buy Absence Art? - Anya Farennikova (Uni. Antwerp / CUNY)
14. Penetrating Beauty: Knowledge, Culture and Context in Aesthetic Perception - Jesse Prinz (City Uni. New York)
15. Gist Experience - Dena Shottenkirk (Brooklyn College - CUNY)
16. How Do I Know When I Am Dancing? - Romain Bigé (École Normale Supérieure)
17a. Interview of James Cohan - Dena Shottenkirk
17b. Interview of Leonel Moura - Steven S. Gouveia
Description: This volume addresses key questions related to how content in thought is derived from perceptual experience. It includes chapters that focus on single issues on perception and cognition, as well as others that relate these issues to an important social construct that involves both perceptual experience and cognitive activities: aesthetics. While the volume includes many diverse views, several prominent themes unite the individual essays: a challenge to the notion of the discreet, and non-temporal, unit of perception, a challenge to the traditional divide between perception and cognition, and a challenge to the traditional divide between unconscious and conscious intentionality. Additionally, the chapters discuss the content of perceptual experience, the value of traditional notions of content, disjunctivism, adverbialism, and phenomenal experience. The final section of essays dealing with perception and cognition in aesthetics features work in experimental aesthetics and unique perspectives from artists and gallerists working outside of philosophy. Perception, Cognition and Aesthetics is a timely volume that offers a range of unique perspectives on debates in philosophy of mind surrounding perception and cognition. It will also appeal to scholars working in aesthetics and art theory who are interested in the ways these debates influence our understanding of art.
Buy: (use 30% discount: CDC21)
